PHILWEB:
BIBLIOGRAPHICAL RESOURCES
OFF- AND ON-LINE
 

GENERAL                HISTORY                REGIONS                TOPICS

MUSIC

SUB-PAGES

Feminist:

• Feminist Perspectives on Music

Post-colonial:

• Post-colonial Perspectives on Music

ASSOCIATIONS

• American Musicological Society

• European Society for the Cognitive Sciences of Music (ESCOM)

• Musicological Society of Southern Africa

• Society for Music Analysis (SMA)

CONFERENCES

2011:

• Opera and Philosophy, First Annual Conference on Music and Philosophy, Royal Musical Association Music and Philosophy Study Group, Institute of Musical Research and Institute of Philosophy, University of London, July 1-2

2010:

• Music and Philosophy, Department of Music, King’s College, University of London, February 20

2009:

• Music and Emotion, University of Durham, August 31- September 3
• Music and Morality, Institute of Musical Research and Institute of Philosophy, University of London, June
  16-17

2008:

2007:

• Words and Notes in the Nineteenth Century, Institute of Musical Research, School of Advanced Study, University of London, July 2-3

2006:

• New Directions, New Voices, Musicological Society of Southern Africa, School of Music and Conservatory, North-West University: Potchefstroom Campus, South Africa, September 14-16
• Music and Consciousness, Department of Music, University of Sheffield and International Centre for Music Studies, University of Newcastle, July 17-19
• Expression in Music, Institute of Philosophy, University of London, March 17
• Mind and Music Roundtable, Department of Philosophy, Columbia University, March 4-5

2005:

• Music, Poetry and Sense Experience, New Languages for Criticism: Cross-currents and Resistances and the Centre de Recherches sur les Arts et le Langage (CRAL), École des Hautes Etudes et Sciences Sociales (EHESS), Paris, June 10-11

2004:

• Music and Philosophy: Perspectives from Europe and Africa, Departments of Music and Philosophy, University of Pretoria, September 20-23

2003:

• Warp: Woof: Aurality / Musicality / Textuality, Centre for Cultural Analysis, Theory and History, University of Leeds, July 10-13

2002:

2001:

2000:

COURSES

JOURNALS

PERSONS

SOURCES: PRIMARY

Off-Line:

• Anthologies:

  • Philosophy of Music:

  • Musicology:

• Selected Individual Works:

  • Philosophy of Music:

    • Bowie, Andrew.  Music, Philosophy, and Modernity.  Cambridge: CUP, 2007.

    • Davies, Stephen.  Themes in the Philosophy of Music.  Oxford: OUP, 2003.

    • Dodd, Julian.  Works of Music: an Essay in Ontology.  Oxford: OUP, 2007.

    • Goehr, Lydia.  Elective Affinities: Musical Essays on the History of Aesthetic Theory.  New York: Columbia UP, 2008.

    • Kivy, Peter.  Antithetical Arts: on the Ancient Quarrel between Literature and Music.  Oxford: OUP, 2009.

    • Nussbaum, Charles O.  The Musical Representation: Meaning, Ontology, and Emotion.  Cambridge, MA: MIT Press, 2007.

  • Musicology:

On-Line:

• Philosophy of Music:

• Musicology:

SOURCES: SECONDARY

Off-Line:

• Anthologies:

  •  

• Selected Individual Works:

  •  

On-Line:

• General:

  • Bostridge, Ian: Timing is Everything Standpoint.Online (January 2009)

  • Wikipedia Encyclopedia:

    • Arts

    • Music

• Philosophy of Music:

  • Kania, Andrew: The Philosophy of Music (Stanford Encyclopedia of Philosophy)

• Musicology:

  • Wikipedia Encyclopedia:

    • Musicology

    • New Musicology

UNIVERSITY PROGRAMMES / RESEARCH CENTRES / RESEARCH PROJECTS

Europe:

• UK:

  • University of London: School of Advanced Study: Institute of Musical Research

WWW GATEWAYS

PHILWEB was last updated:
July 27, 2010

PHILWEB is edited by
Richard L. W. Clarke

Please direct all queries HERE

This site will always be a work in progress as a result of which pages will be found at various stages of completion.

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