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COMMUNICATION:
DEFINITIONS
LANGUAGE
A language is a system of signs (e.g. vocal sounds, gestures or written symbols) that encodes information.
A distinction is often drawn between language qua
the properties common to all languages
(what Saussure calls langue and Chomsky
competence, that is, those abstract general principles
which inform all language-use) and particular uses of
language (what Saussure calls parole and
Chomsky performance).
Communication is the process by which
information is transmitted from a sender to a receiver in an attempt to create shared
understanding. Communication between
humans occurs via both spoken and written forms of language. Mass Communication
is the "process whereby media organizations produce and
transmit messages to large publics and the process by
which those messages are sought, used, and understood,
and influenced by audiences" (Littlejohn and Foss). Context: this refers to the social and historical
situation in which an utterance is produced and / or received.
Discourse, according to the Centre for
Discourse Studies at the University of Aalborg, is a term that
encompasses the actual use of spoken and written language as well as
other media. The term is not restricted to 'non-fictional' nor
verbal (e.g. gestural and visual) materials. Although early linguistic approaches judged the
unit of discourse to be larger than the sentence, phenomena of interest
can range from silence, to a single utterance (such as "ok"), to a
novel, a set of newspaper articles or a conversation. It also
refers, more specifically, to an institutionalized way of thinking, a socially-derived set
of parameters defining what can be claimed to be true about a specific
topic (e.g. concerning the nature of madness or sexuality). Language is
viewed, from this perspective, as a form of social practice. Discourse
defines both the referent which one seeks to know and the subjectivity of the
would-be knower. Discourse Community links the terms
discourse, a concept describing all forms of communication that
contribute to a particular, institutionalized way of thinking; and
community, that is, the people who use, and therefore help create, a
particular discourse.
Interpretation is the process by which the meaning
intended by the speaker / writer and communicated by means of a given set of symbols
(the medium / message / text) is
posited by an interpreter (the listener / reader). One major area of dispute concerns the source
of the meaning of an utterance.
Is the meaning of an utterance intended by the
speaker / writer (in which case, the interpreter plays a largely
passive, consumptive role) or is it construed by the interpreter (in
which case, the interpreter plays a largely active, productive role)?
Is it a function of the text's
socio-historical context? On the last view, both the reader
and the writer produce
meaning by participating in a complex of socially defined and
enforced practices and making use of a socially-inscribed medium. Interpretation is an active process of producing
values and meanings, a process that always occurs within specific
cultural and political contexts, directly linked to the world in
which both the writer and the reader live.
The term Hermeneutics (from the
Greek Ερμηνεύς, 'interpreter')
is thought to be derived from the name of the Greek god Hermes who functioned
in classical mythology to relay to humans messages sent by the
gods. (Hermes was often depicted as playing tricks on those he was
supposed to give messages to, often altering the messages and
influencing the interpretation thereof.) Initially, the
term 'Hermeneutics' was closely tied to the interpretation of
the Bible and related texts in the Christian tradition.
However, more recently, it has come to be used in a broader
sense to denote the study of the theories and methods involved
in the interpretation of texts more generally. Modern
hermeneutics, which takes its lead from its
principal exponent in the nineteenth century, Friedrich von
Schleiermacher, has come to denote a particular
method of interpretation the goal of which is to use the language of
the text in question (either oral or written) to 'get inside,' as it were, the author's mind and
thereby identify his intention, that is, the specific meaning which
s/he has
imparted to the words in question. Recently, the concept of 'text'
has been extended beyond merely oral or written texts to include any number of objects
(e.g. film, art, society, etc.) that are accordingly treated as texts
and, thus, subjected
to interpretation. Hermeneutics has also increasingly come to be seen by many (e.g.
Richard Harvey Brown, Richard Rorty) as something of an alternative
(so-called 'interpretivism') to the positivism
which informs the currently dominant approaches to epistemology
in philosophy and the natural and social sciences. I use the term 'Hermeneutics' in this regard to
refer to interpretive approaches that emphasise how
understanding is necessarily shaped by the socio-historical context of and
language in which a given text is couched.
Meaning refers to the
signification of the signs utilised in the process of communicating.
A sign is thought to acquire its meaning in several major ways:
1) According
to the referential or correspondence or denotational
or designative or surrogational or mimetic theory, the meaning of a sign is
objective in that it is derived from an external object [or
referent] of which it is thought to be a reflection,
representation or imitation, for which it is thought to stand,
and which it is thought to designate or label. From this
point of view, as M. H. Abrams argues with reference to the
literary work, the sign is thought to function as
something akin to a mirror. From this point of view,
words
are essentially surrogates or substitutes for other things.
Languages are thus surrogational systems, which provide the
language-user with a set of verbal tokens which stand for,
or take the place of, non-verbal items of various kinds.
Accordingly, it is the relation between words and what they
stand for which is central to understanding how languages
work. (Roy Harris, The Language-makers 33)
Harris
distinguishes between "reocentric surrogationalism" (70) (where
words stand for things in the outside world) and "psychocentric
surrogationalism" (70) (where words denote internal mental
states).
2) According
to the intentional or instrumentalist or ideational
or expressivist theory, the meaning of a sign is
subjective in that it is expressive of the subjective intention
of the speaker or writer. In this schema, meaning
originates within the utterer and emanates outward towards the
referent which it purports to depict and other humans who
receive and interpret the sign(s) in question. From this
point of view, as M. H. Abrams argues with reference to the
literary work, the sign is similar to a lamp projecting light
upon the surrounding world or breath being exhaled. From
this point of view,
words
are envisaged as instruments for accomplishing human
communicational objectives, rather than standing for things
or ideas. Language-using is seen as analogous to
tool-using, rather than as analogous to labelling. . . .
[N]ames are seen not primarily as depictions or
representations of things, but as instruments for achieving
human intentions in relation to things. That which
correlates the name with the thing is not some intrinsic
likeness of affinity, as the natural nomenclaturist holds,
but its use to further some human purpose. (Roy
Harris, The Language-Makers 80-81)
3) According
to the related contractualist or consensus theory of meaning,
languages are tantamount to sets of social conventions and
meaning a function of consensus. A
language is thus envisaged as the
manifestation of a tacit collective understanding
between members of a community as to how a certain
range of social affairs shall be conducted. It is
essentially a form of social contract . . . for . . .
it is their agreement which alone determines how a thing
shall be called. There is no other standard of
correctness. (Roy Harris, The Language-Makers
102-103)
Typically, the
contractualist emphasises what is arbitrary
about the way languages work. The very fact that
different languages appear to express very similar ideas in
quite dissimilar ways is to him an evident demonstration
that the surrogationalist is wrong. Linguistic
knowledge, for the contractualist does not reach out to the
structure of reality; it is simply knowledge of what the
contract is. (Roy Harris, The Language-Makers,
105)
Linguistic
Relativism (the so-called Sapir–Whorf hypothesis)
states that there is a systematic relationship
between the grammatical categories of the language a
person speaks and how that person both understands
the world and behaves in it.
4) According
to the Formalist or Structuralist or Systemic
theory of meaning, the meaning of a sign is a
function of its relationship to other signs (e.g. the meaning of
the sign 'dog' is determined by its difference from that of the
sign 'cat,' and so on), rather than its relationship to the
external world or to the interiority of either the utterer or
interpreter.
5) According to so-called Speech-Act Theory, words function not only constatively (i.e. they have meaning by virtue of
referring to things in the real world) but
often performatively (i.e. they have meaning by virtue of the
particular act which they announce such as, for
example, when someone says 'I promise to do such and
such a thing' or a bride says 'I do' to signal her acquiescence
to the vows of marriage). In the act of articulating
something, something is also accomplished (e.g. a wedding).
Message:
Figurative Language
(or
Figure of Speech) refers to a word or
phrase that departs from straightforward,
literal language.
Scheme
(from the Greek
schēma, form or shape) are figures of
speech in which there is a deviation from
the ordinary or expected pattern of words.
Trope (from the Greek
tropein, to turn, or tropos,
turn) involve changing or modifying the
general meaning of a term by using it in an
unexpected way.
Irony is a
literary or rhetorical device in which
there is a gap or incongruity between
what a speaker or a writer says and what
is generally understood (either at the
time, or in the later context of
history).
Metaphor (from the
Greek metapherin, to transfer) is
a rhetorical trope defined as a direct
comparison between two or more seemingly
unrelated subjects. In the
simplest case, this takes the form: "The
[first subject] is a [second
subject]." More generally, a
metaphor describes a first subject as being or
equal to a second
subject in some way.
Metonymy is the
substitution of one word for another on
the basis not of similarity but of
contiguity.
Simile is a
comparison of two unlike things,
typically marked by use of 'like,' 'as,'
'than,' or 'resembles.'
Synecdoche is the
use of the part of something to refer to the whole
thing, or vice versa.
Medium:
Sign
(Word):
Symbols: the objects, characters, or other concrete
representations of ideas, concepts, or other
abstractions.
Text (Work):
Utterance:
COMMUNICATION STUDIES
Communication
Studies
is the academic discipline that studies the process of communication or,
to be precise, "who (says) what (to)
whom (in) what channel (with) what effect" (Laswell).
I use the term
Philosophy of
Communication to refer to the use of logical and
scientific methods to explain the process of
communication.
Communication Theory
refers, broadly, to the study of the principles by which communication
occurs. I use it to refer to discursive and rhetorical models of
communication.
HERMENEUTICS
Hermeneutics: the term 'hermeneutics' (from the
Greek word Ερμηνεύς, 'interpreter')
is thought to be derived from the name of the Greek god Hermes who functioned
in classical mythology to relay to humans messages sent by the
gods. (Hermes was often depicted as playing tricks on those he was
supposed to give messages to, often altering the messages and
influencing the interpretation thereof.) From at least the
Middle Ages, the
term 'Hermeneutics' was closely tied to the attempt to formulate
principles designed to ensure the correct interpretation of
the Bible and related texts in the Christian tradition.
However, more recently, it has come to be used in a broader
sense to denote the study of the theories and methods involved
in the interpretation of texts more generally. Modern
hermeneutics, which takes its lead from its
principal exponent in the nineteenth century, Friedrich von
Schleiermacher, has come to denote a particular
method of interpretation the goal of which is to use the language of
the text in question (either oral or written) to 'get inside,' as it were, the author's mind and
thereby identify his intention, that is, the specific meaning which
s/he has
imparted to the words in question. Recently, the concept of 'text'
has been extended beyond merely oral or written texts to include any number of objects
(e.g. film, art, society, etc.) that are accordingly treated as texts
and, thus, subjected
to interpretation. Hermeneutics has also increasingly come to be seen by many (e.g.
Richard Harvey Brown, Richard Rorty) as something of an alternative
(so-called interpretivism) to the positivism
which informs the currently dominant approaches to epistemology
in philosophy and the natural and social sciences.
Hermeneutical
Phenomenology (or Phenomenological Hermeneutics) studies,
from a phenomenological perspective, the interpretive structures
by which sense is made of experience, that is,
the literary and rhetorical strategies through which we seek to understand and
engage with things around us in our human world, including ourselves and
others. Key phenomenological hermeneuticists include Martin Heidegger and
Hans-Georg Gadamer in the twentieth century.
Humanist Hermeneutics: hermeneuticists of this 'school'
such as Wilhelm Dilthey, Emilio Betti and E. D. Hirsch see
themselves as carrying on the tradition of Romantic Hermeneutics
epitomised by Schleiermacher.
Rhetorical Hermeneutics is about a way of reading
texts as a form of rhetoric.
Romantic Hermeneutics: the founder of modern
hermeneutics is Friedrich Schleiermacher, a product of the
Romantic movement in Germany during the nineteenth century.
The Hermeneutical Circle: this
is the view that if we are to understand the meaning of
the whole, we must grasp
the meaning of its constituent parts and, by
the same token, if we are to understand the meaning of the
verbal parts of a linguistic whole, we must also have some prior
sense of the meaning of the whole. This circular interpretive
process applies to the relationship between individual words and
the sentence of which it is part as well the relationship
between particular sentences and the work as a whole.
LINGUISTICS
Linguistics is often defined as the field of
study devoted to the scientific
study of natural language. It can be either Applied or Theoretical
in nature. Mainstream Linguistics
is predicated on at least three core assumptions: that there is a
transcendental form, structure or systemic core common
to all language (what Saussure calls 'langue' and
Chomsky 'competence') which may be scientifically
studied; that linguists should seek to neutrally
describe, rather than prescribe, the properties of
languages; and that spoken language is prior to and more
fundamental than written forms of language.
Douglas Robinson labels Oppositional or
Counter-Hegemonic Linguistics the views of those
linguists who reject the assumption that there is a
transcendental form, structure or systemic core common
to all language and who contend, rather, that what
people actually say or write (discourse) ought to be
the focus of study; that the scientific study of
language may accordingly be an illusion; and that spoken
forms of language may in fact not be prior to written
forms. Some of the major
schools of thought studied under this rubric
include: Deconstruction, Dialogism, Marxism,
Phenomenology, Pragmatism,
Psychoanalysis, Romantic Linguistics, and Speech-Act
Theory.
Applied
Linguistics puts linguistic theories into practice
in areas such as foreign language teaching,
forensics, lexicography, speech
therapy, translation, and speech pathology.
Forensic Linguistics
Theoretical (or General) Linguistics
encompasses a number of sub-fields, branches or
topics:
A) Grammar: the study of the structure
or form of language, that is, the rules that govern the composition of
words, phrases and sentences in any language.
Grammar encompasses
Morphology: the study of the
"properties of words and word-building
rules" (Akmajian, et al, 6);
The Lexicon of a given
language is its vocabulary.
Phonetics: the study of the
"physiology involved in the production of
speech sounds" (6) and of the "transcription
systems used to represent" (6) these sounds;
Phonology: the study of the
"organisational principles that determine
the patterns that speech sounds are subject
to" (6);
Syntax: the study of the
"structure of sentences and phrases" (6);
B) Semantics: the study of the
production and reception of the meaning of
words, phrases and sentences.
C) Pragmatics the study of the process
of communication in the course of which language
is put to use, that is, the
practical use of language made by individuals
and groups in specifiable circumstances.
There are several goals: to explore how the
production and reception of the meaning of a
proposition is shaped by various aspects of the
context in which language-use occurs, not least
the social status of those involved; the
establishment of the speaker's intention; the
study of implicatures (i.e. the difference
between manifest and latent levels of meaning); the study of impediments to
clear communication such as ambiguity; etc.
D) Comparative (or Synchronic
or Descriptive) Linguistics: the study of
language variation, that is, the linguistic differences that distinguish
individuals and communities from each other. Comparative Linguistics seeks to
determine the relatedness of given languages
by grouping them into language families.
E) Historical (or
Diachronic) Linguistics:
the study of language change, that is,
"how languages change over time" (6).
Historical Linguistics has four main concerns: to describe and account for
observed changes in particular languages, to
describe the history of speech communities, to
reconstruct the pre-history of languages, and to
develop general theories about how and why language
changes.
Philology
(from the Greek philología, love of
words) refers to the "study of
a culture through its literature" (Sampson
243, n1), a field of study which reached its
apogee in Continental Europe especially (and
Germany in particular) during the nineteenth century.
Classical philology, for example, "concerned
itself with the Latin and Greek languages
only as means to a better understanding of
Roman and Greek civilisation" (Sampson 243,
n1). However, starting with the
Romantic period, an increased emphasis on
studying languages "as ends in themselves
rather than as literary vehicles" (Sampson
243, n1) gave rise bit by bit to what in
Germany came to be called
Sprachwissenschaft or Linguistik.
In "modern English usage linguistics
normally means linguistics in the twentieth
century style -- therefore primarily
synchronic linguistics -- while philology,
if used at all, refers . . . to historical
linguistics as practised in the nineteenth
century" (Sampson 243, n1).
Some Definitions:
Overshadowed in the
twentieth century by its offspring Linguistics,
it continues in a more muted fashion, sharing
much with the subdiscipline historical
linguistics, and focusing particularly on
the evolution of languages, especially in terms
of their groupings (‘families’) and their
elements (Concise Oxford Companion to the
English Language).
It refers to the
study of both language and literature. In
addition to phonetics, grammar and the structure
of language, philology also includes literary
criticism, etymology, and the study of art,
archaeology, religion and any system related to
ancient or classical languages (World
Encyclopedia).
It refers to the study
of literature and of disciplines relevant to
literature or to language as used in literature;
the study of human speech especially as the
vehicle of literature and as a field of study
that sheds light on cultural history (Merriam-Webster
Online Dictionary).
The study of human
speech especially as the vehicle of literature
and as a field of study that sheds light on
cultural history (L. H. Gray Foundations of
Language).
The study of the issues outlined above is divided into
several approaches:
Formalist approaches emphasise the autonomy
of language and accordingly seek
explanations of linguistic properties from within
the linguistic system itself.
Generative Linguistics (associated in
particular with the work of linguists like Noam
Chomsky) is the approach that is currently the
dominant paradigm in mainstream Linguistics.
Although it originated as an attempt to explain
how human beings acquire language and to grasp
the biological constraints shaping this
acquisition, it has evolved into a tendency to
explain linguistic patterns by means of appeals
to structural properties internal to and
specific to language.
Structuralist Linguistics (associated
with Ferdinand de Saussure) is a forerunner of
Generative Grammar that stresses that both
grammar and semantics are explicable with
reference solely to the properties of language
itself.
Functionalist approaches stress the
functional relationship between linguistic and
extra-linguistic phenomena and accordingly seek
explanations of linguistic properties outside the
linguistic system itself.
Biolinguistics
Evolutionary Linguistics is the
scientific study of the neurobiological origins
and development of language. It contends
that language has evolved in tandem with the
development of mental faculties as these have
evolved and speciated over time. The main
challenge in this research is the lack of
empirical data for the simple reason that spoken
language leaves no traces which led to the
abandonment of the field for more than a
century. Since the late 1980s, however,
the field has been revived in the wake of
progress made in the related fields of biology,
psycholinguistics, neurolinguistics,
evolutionary anthropology and cognitive science.
Psycholinguistics (or Psychology of Language)
is the study of the psychological and
neurobiological factors that enable humans to
acquire, produce, and understand language. It
explores the cognitive processes that make it
possible both to generate and comprehend meaningful
propositions. Neurolinguistics is
devoted specifically to the study of the neural
mechanisms in the human brain that are
responsible for these processes.
Cognitive Linguistics is the view
(associated with linguists like George
Lakoff) that language is best explained by reference to
an understanding of the processes of human
cognition in general, that is, an effect or function
of those basic underlying mental
faculties that are common to all humans and
studied by cognitive science.
Sociocultural approaches are "concerned
with the intersection of language, culture, and
society" (Bucholtz and Hall 5).
Anthropological
Linguistics is the branch of
Linguistics that studies language
through the prism of anthropological
accounts of human nature.
Linguistic
Anthropology is the branch of Anthropology that studies humans
via linguistic accounts of the languages that they use.
Where the former brings
anthropological methods to bear on
the study of language, the latter
brings linguistic methods to bear
on anthropological problems.
In both cases, however, a link is drawn
between between language, on the one
hand, and human biology and culture, on
the other.
Sociolinguistics (or the
Sociology of Language) is the study of
relationship between linguistic
variation and change, on the one hand, and
differences in social structure, on the
other. It explores the effect of any
and all aspects of society on
the way language is used by focusing
on how 'lects' differ between speech
communities (more or less discrete groups of
people who use language in a unique and
mutually accepted way among themselves)
separated by certain social variables (e.g.
ethnicity, religion, status, gender, level
of education, etc.) and how creation and
adherence to these rules is used to
categorize individuals in social class or
socio-economic classes.
Corpus (Empirical) Linguistics
is the study of language as expressed in
samples (corpora) or 'real world'
texts. This method represents a
digestive approach to deriving a set of
abstract rules by which a natural
language is governed or else relates to
another language. Originally done
by hand, corpora are now largely derived
by an automated processes.
Critical Linguistics is an "enquiry
into the relations between signs, meanings and
the social and historical conditions which
govern the semiotic structure of discourse,
using a particular kind of linguistic analysis"
(Roger Fowler, Language in the News).
Discourse Analysis is a general term for a
number of approaches to analyzing written, spoken or
signed forms of
language use (speech, written texts, sign-language, etc.).
Critical
Discourse Studies
scrutinises the relations between
language, social structure and individual agency.
It interrogates institutionalized ways of
thinking, socially-derived boundaries defining
what can be said about a specific topic and,
thus, what can be taken to be true. It
thus studies language as a form of social
practice and focuses on the ways in which social
and political domination is reproduced (or
subverted) through the uses to which language is
put (discourses).
Stylistics
is the study of varieties of language whose properties
position that language in context. For example,
the language of advertising, politics, religion,
individual authors, etc., or the language of a period in
time, all arguably derive from and thus are explicable with
reference to a particular socio-historical situation.
PHILOSOPHY OF LANGUAGE AND LOGIC
Philosophy of Language
is largely devoted to understanding the logic by means
of which any sign or sequence of signs may be said to
have meaning and why a given sign or sequence of signs
has the distinctive meaning which it does. It is
also devoted to explaining what enables humans both to
produce and to understand meaning.
Formal Logic (from the Classical
Greek λόγος [logos], originally meaning
the word or what is spoken and later thought or
reason), is
the branch of philosophy devoted to the study of arguments, to be
precise, the study of patterns found in reasoning and criteria for
the evaluation of arguments. More precisely, logic studies the laws
of valid inference. The task of the logician is to advance an
account of valid and fallacious inference to allow one to
distinguish logical from flawed arguments. In short,
logicians take arguments apart and study
their structure in more detail than a cursory glance would otherwise
allow.
Philosophical
Logic is the application of formal logical techniques
to philosophical problems. In the UK, according to Anthony
Grayling, philosophical logic is the
attempt to solve general philosophical problems that arise when we
use or think about formal logic: problems about existence,
necessity, analyticity, a prioricity, propositions, identity,
predication, truth.
Philosophy of Logic is concerned with
the nature and justification of systems of logic, dealing with
questions such as whether there exists only a single logic or
whether there are many logics.
RHETORIC AND COMPOSITION STUDIES
Rhetoric (from Greek
word rhêtôr, orator, teacher, in turn derived from the Greek
eiro, I say) refers, broadly speaking, to the art,
practice, and study of human communication. Rhetoric is devoted
at least in part to the study of the art or technique of effective
speaking and writing within specific situations (e.g. in a court or
in parliament) with the goal of persuading a particular audience to
adopt a point of view or perform a particular action. It is
concerned, more broadly, with studying the nature of human
discourse, how meaning is produced and to what end. A rhetor
is someone who presents a discourse, either written or oral, while a
rhetorician is someone who studies the rhetoric of a given
discourse, written or oral.
Epistemic Rhetoric: the relationship between
rhetoric and knowledge is one of its oldest and most
interesting problems confronting rhetoricians.
The stereotype that equates the term 'rhetoric' with
the empty or even deceitful use of words is a
long-standing one traceable back to Peter Ramus in
the Renaissance and, before him, to at least Plato
in the course of his conflict with the Sophists and
his attempt to differentiate the emerging discipline
of 'philosophy' per se from that of Sophism.
It is an attempt to distance the aims of rhetoric
from the acquisition of true knowledge. Many
contemporary rhetoricians, however, envisage an
intimate relationship between rhetoric and the
production of knowledge, positing an inherently
literary and social dimension to the latter.
Emphasizing this close relationship between
discourse and knowledge, contemporary rhetoricians
have tended to see language and discourse as
integral to, rather than in conflict with,
knowledge-making. All in all, while
classical rhetoric sought to train
speakers to be effective orators in
public forums and institutions like
the courtroom and political
assemblies, contemporary rhetoric
seeks to investigate human discourse
writ large and, to this end, train
their attention on the discourses
produced within a wide variety of
disciplines, including politics, the
law, the natural and social
sciences, the fine arts, religious
study, journalism, history,
cartography, architecture, public
relations, lobbying, marketing,
professional and technical writing,
and advertising, among others.
In short, rhetoric is
partly a method for training
effective communicators (rhetors) and
partly a method for understanding how humans use language
('discourse') to alter or shape our understanding of
reality. I use the term 'rhetoric' here to refer
to approaches that emphasise the socio-historical context and
literary dimension of human discourse in its attempt to persuade us
that a particular truth-claim is correct. Rhetoric focuses, to
these ends, on the "texts, discourses, and cultural practices by which
public beliefs and identities are constituted, empowered, and enacted,"
as the Quarterly Journal of Speech
puts it, by exploring the "theory
and criticism of situated discourse
in its various forms and venues,
including the oral, the written, and
the visual; official and vernacular;
direct and mediated; historical and
contemporary."
Argumentation is the process by which humans
can, do, and should reach
conclusions through logical
reasoning, that is, claims based on
premises. It includes the arts
and sciences of civil debate,
dialogue, conversation, and
persuasion. It studies rules
of inference, logic, and procedural
rules in both artificial and real
world settings. Frans van Eemeren, Rob
Grootendorst, and Snoeck Henkemans define argumentation as a
verbal and social activity of reason aimed at
increasing (or decreasing) the acceptability of a controversial
standpoint for the listener or reader, by putting forward a
constellation of propositions intended to justify (or refute) the
standpoint before a rational judge. (Fundamentals of Argumentation Theory:
a Handbook of Historical Backgrounds and
Contemporary Developments)
Argumentation Theory
studies the credibility of arguments
by identifying the premises, conclusions, and fallacies
found in various types of communication that occur in every
day, practical, real-life situations. Logic,
generally speaking, is devoted to the study of
inference.
Formal logic seeks to compare the form of
a particular argument with one of the forms of proper
inference (that is, whereby the conclusion can be
derived from the premises using accepted rules of
derivation, or by some other formal method.)
Informal Logic, by contrast, studies
inference without formalizing it to any (great) extent.
Ralph Johnson and J. Anthony Blair
define Informal Logic as a
branch of logic whose task is to
develop non-formal standards,
criteria, procedures for the
analysis, interpretation,
evaluation, criticism and
construction of argumentation.
("The Current State of Informal
Logic," Informal Logic
9.2–3 (1987): 147–151).
In general, the
label 'argumentation' is used by speech and communication
scholars while the label 'informal logic' is used by
philosophers.
Persuasion is a form of influence
that achieves its goal by guiding people toward the adoption of an
idea, attitude, or action through rational and symbolic (though not
only logical) means and relying on 'appeals' to reason or the
emotions, rather than force.
Rhetorical
Analysis / Criticism, in turn, studies the use of language
in oral and written texts by a given speaker or writer, focusing
not only on the logical development of its argument but also the
literary dimensions of a given utterance (not least its use of
figurative language and its narrative structure).
Rhetorical Theory is devoted to the study of the
principles informing the production of meaning in discourse (the
identity of the author, the signifying processes of language,
and so on) and the nature of its impact on audiences.
Composition Studies (also referred to as
'Composition and Rhetoric,' 'College Composition,' or
simply 'Composition') is the professional field of
writing instruction, especially at the college level in
the United States. Composition scholars study not
only the theory and practice of postsecondary writing
instruction, but also the influence of different writing
conventions and genres on writers' composing processes.
Rhetoricians on Rhetoric:
The "faculty of observing in any given
case the available means of persuasion." (Aristotle, Rhetoric)
"Speech designed to persuade."
(Cicero, )
The "art of speaking well."
(Quintilian, )
Rhetoric is the udder of eloquence; tropes
and figures are the teats. (1690 Harvard senior
thesis, qtd. in Perry Miller)
The "use of words by human agents to form
attitudes or to induce actions in other human agents. . . .
The use of language as symbolic means of inducing
cooperation in beings that by nature respond to symbols."
(Kenneth Burke, Rhetoric of Motives 43)
A "mode of altering reality, not by the
direct application of energy to objects, but by the creation
of discourse which changes reality through the mediation of
thought and action." (Lloyd Bitzer, )
The "discipline which studies all of the
ways in which men may influence each other's thinking and
behaviour through the strategic use of symbols."
(Douglas Ehninger, )
Rhetoric is an "organized, consistent,
coherent way of talking about practical discourse in any of
its forms or modes." (Douglas Ehninger,
On Systems of Rhetoric)
The "functional organization of discourse,
within its social and cultural context, in all its aspects,
exception made for its realization as a strictly formal
metalanguage - in formal logic, mathematics, and in the
sciences whose metalanguages share the same features.
In other words: rhetoric is all of language, in its
realization as discourse." (Paolo Valesio, Novantiqua: Rhetorics as a Contemporary Theory 7)
[The problem is bringing] rhetoric, the
orator, the struggle of discourse within the field of
analysis; not to do, as linguists do, a systematic analysis
of rhetorical procedures, but to study discourse, even the
discourse of truth, as rhetorical procedures, as ways of
conquering, of producing events, of producing decisions, of
producing battles, of producing victories. In order to
“rhetoricize” philosophy. (Michel Foucault, )
What happens, then, if we choose to begin
with our knowledge that we are essentially creatures made in
symbolic exchange, created in the process of sharing
intentions, values, meanings, in fact more like each other
than different, more valuable in our commonality than in our
idiosyncrasies: not, in fact, anything at all when
considered separately from our relations? What happens if we
think of ourselves as essentially participants in a field or
process or mode of being persons together? If man is
essentially a rhetorical animal, in the sense that his
nature is discovered and lived only in symbolic process,
then the whole world shifts: even the usage of words like I,
my, mine, self, must be reconsidered, because the
borderlines between the self and the other have either
disappeared or shifted sharply . . . All we need do is
honour what we know about who we are and how we come to be,
in language. Once we give up the limiting notions of
language and knowledge willed to us by scientism, we can no
longer consider adequate any notion of 'language as a means
of communication.' . . . It is, in recent models, the medium
in which selves grow, the social invention through which we
make each other and the structures that are our world, the
shared product of our efforts to cope with experience.
(Wayne C. Booth )
Rhetoric, which was the received form of
critical analysis all the way from ancient society to the
18th century, examined the way discourses are constructed in
order to achieve certain effects. It was not worried about
whether its objects of inquiry were speaking or writing,
poetry or philosophy, fiction or historiography: its horizon
was nothing less than the field of discursive practices in
society as a whole, and its particular interest lay in
grasping such practices as forms of power and performance.
This is not to say that it ignored the truth-value of the
discourses in question, since this could often be crucially
relevant to the kinds of effect they produced in their
readers and listeners. Rhetoric in its major phase was
neither a language, nor a “formalism,” preoccupied simply
with analyzing linguistic devices. It looked at such devices
in terms of concrete performance-they were means of
pleading, persuading, inciting and so on-and at people’s
responses to discourse in terms of linguistic structures and
the material situations in which they functioned. It saw
speaking and writing not merely as textual objects, to be
aesthetically contemplated or endlessly deconstructed, but
as forms of activity inseparable from the wider social
relations between writers and readers, orators and
audiences, and as largely unintelligible outside the social
purposes and conditions in which they were embedded.
(Terry Eagleton, )
The "process of using language to organize
experience and communicate it to others. It is also
the study of how people use language to organize
and communicate experience. The word denotes, as I use
it, both a distinctive human activity and the 'science'
concerned with understanding that activity. All human
beings are 'rhetors' because they naturally conceive as well
as share their knowledge of the world by means of discourse.
Certain individuals are also 'rhetoricians' because they
study the nature, operations, and purposes of discourse.
I suggest further that rhetoric, as a generic discipline,
encompasses all forms of written as well as oral expression
and includes the efforts of undeveloped speakers and writers
as well as the achievements of literary artists." (C.
H. Knoblauch, "Modern Rhetorical Theory and its Future
Directions" 29)
Rhetoric deals with "questions surrounding
any study of language: the relation between language and the
world, the relation between discourse and knowledge, the
heuristic and communicative functions of verbal expression,
the roles of situation and audience in shaping utterance,
the social and ethical aspects of discourse. . . ."
(C. H. Knoblauch, )
The "political effectivity of trope and
argument in culture. Such a working definition
includes the two traditional meanings of rhetoric:
figurative language and persuasive action." (Stephen
Mailloux, Rhetorical Power xii)
The "primordial function of rhetoric is to
'make-known' meaning both to oneself and to others.
Meaning is derived by a human being in and through the
interpretive understanding of reality. Rhetoric is the
process of making known that meaning. Is not rhetoric
defined as pragmatic communication, more concerned with the
contemporary audiences and specific questions than with
universal audiences and general questions?" (Michael
Hyde and Craig Smith, "Hermeneutics and Rhetoric")
The "study of how people use language and
other symbols to realize human goals and carry out human
activities. . . . [It is] ultimately a practical study
offering people great control over their symbolic activity.
(Charles Bazerman, Shaping
Written Knowledge 6)
"Scholars have traditionally defined
rhetoric either as the study of schemes and tropes (verbal
artifice) or as the study of persuasion." (George L.
Dillon, "Rhetoric")
Rhetoric is the "study of how we organize
and employ language effectively, and thus it becomes the
study of how we organize our thinking on a wide range of
subjects." (James Herrick, The History and Theory
of Rhetoric)
Rhetoric is the art of describing reality
through language. Under this definition, the study of
rhetoric becomes an effort to understand how humans, in
various capacities and in a variety of situations, describe
reality through language. To act rhetorically is to use
language in asserting or seeming to assert claims about
reality. At the heart of this definition is the assumption
that what renders discourse potentially persuasive is that a
rhetor (e.g. a speaker or writer) implicitly or explicitly
sets forth claims that either differ from or cohere with
views of reality held by audiences (e.g. a specific
scholarly community, a reader of fiction, or an assembly of
persons attending a political rally). (Cherwitz and
Hikins, "Communication and Knowledge: An Investigation in
Rhetorical Epistemology" 62)
Rhetoric has a number of overlapping
meanings: the practice of oratory; the study of the
strategies of effective oratory; the use of language,
written or spoken, to inform or persuade; the study of the
persuasive effects of language; the study of the relation
between language and knowledge; the classification and use
of tropes and figures; and, of course, the use of empty
promises and half-truths as a form of propaganda. Nor does
this list exhaust the definitions that might be given.
Rhetoric is a complex discipline with a long history: it is
less helpful to try to define it once and for all than to
look at the many definitions it has accumulated over the
years and to attempt to understand how each arose and how
each still inhabits and shapes the field. (Patricia Bizzell and Bruce Herzberg, "General Introduction."
The
Rhetorical Tradition: Readings from Classical Times to the
Present 1)
SEMIOTICS
Semiotics (from the
Greek σημειωτικός,
semeiotikos, an interpreter of signs) (or
Semiology) is,
broadly speaking, the study of the production,
communication
and interpretation of meaning. More
specifically, it is the study of communication
and sign systems, in short, of the ways people
understand phenomena and organize them mentally,
and of the ways in which they transmit that understanding and
share it with others. Although natural and artificial
languages are therefore central to semiotics,
its field covers all non-verbal signalling and
extends to domains whose communicative dimension
is perceived only unconsciously or subliminally. Knowledge, meaning, intention and action are
thus fundamental concepts in the semiotic
investigation of phenomena. (University of
Toronto Semiotics and Communication Theory
programme). The focus is on the nature of signs, both
individually and grouped in sign systems, by exploring how the meaning
of a given sign is
a function of its relation to other signs within the sign system in
question. Semiotics studies how meaning is accordingly produced, conveyed and interpreted. Semiotics differs from
Linguistics in that it expands the definition of the sign, sign systems
and sign relations beyond mere spoken or written words. Semiosis is a term coined by Charles Sanders
Peirce to denote the process by which signs
produce meaning. Peirce defined semiosis
as any "action, or influence, which is, or
involves, a cooperation of three
subjects, such as a sign, its object, and its
interpretant, this tri-relative influence not
being in any way resolvable into actions between
pairs." (Pragmatism [1907], ).
Semioticians on Semiotics:
The
doctrine that our knowledge of the things in the
world is mediated by signs, that we build up
structures of signs through experience and these
structures define what we take as reality. (Donald
Cunningham, )
Semiotics is
"coextensive with the whole range of cultural
phenomena" (Umberto Eco, )
REASONING
Reasoning is, broadly speaking, the cognitive
process of looking for reasons to justify beliefs,
conclusions, actions or feelings. It also refers, more
specifically, to the act or process of using one's reason to derive one statement
or assertion (the conclusion) from a prior group of statements or assertions
(the premises) by means of a given method.
An argument is an attempt to demonstrate
the validity of an assertion called a conclusion based on the
truth of a set of assertions called premises. To put
this another way, it is a set of premises
(a justification) offered in support of a conclusion (a truth-claim or
belief). It typically comprises a set of assumptions (the premises), a method
of reasoning, and a conclusion. Etymologically-speaking, as Peter
Caws has argued in an email to the Philos-L list, the word
'argument' derives (on the mythological side)
from
Argus, the many-eyed and (on
the philological side)
from the Latin verb 'arguo,'
which means 'to put in a clear light.'
The
main idea is of seeing
clearly, getting clear about, throwing light on,
and ideally that's what argument would be for. Formal
argument aims for inferences of logical or mathematical
clarity; in other cases it's more a matter of give and
take in discussion, aiming for an agreement in which the
parties come to see whatever it is in the same way, or
to understand why they can't do so. A
bad argument would be one that doesn't help in this way,
and the worst would presumably be one that produces
maximum obscurity rather than clarity.
(Ibid)
A logical assertion
is a statement that asserts or claims that a particular
premise is valid. A proposition is the content of an
assertion, that is, it is true-or-false and defined by the
meaning of a particular piece of language. The proposition is
independent of the medium of communication with the result that
different statements may communicate the same proposition. A
logical argument is one in which the validity of the
conclusion derives from a logical relationship that exists
between the premises themselves, any intermediate assertions
that may be present, and the conclusion. Inference is the act or process of
deriving a conclusion from prior premises and takes
several forms. The two most important forms of reasoning
are deduction and induction. A valid argument does
not presuppose that one's conclusion is necessarily true, that
is, that it corresponds to reality. Validity is a property
of the reasoning in the argument, not a property of the
premises in the argument or the argument as a whole.
In fact, the truth or falsity of the premises and the
conclusion is irrelevant to the validity of the reasoning in
the argument. An argument may be
described as 'truth-preserving' when, if the premises are true,
the conclusion is accordingly also true. Alternatively, an
argument may be fallacious, though not necessarily untrue.
Formal fallacies occur when there is a problem with the
form, or structure, of the argument. An informal
fallacy is an error in reasoning that occurs due to a
problem with the content, rather than mere structure, of the argument.
Deduction
is the process of reasoning in which an assertion
(the conclusion) is necessitated by, or derived from,
or entailled by previously known facts (the premises). In other words, if the
premises are true, the conclusion must be true. For
example,
-
- Premise 1: All humans are mortal.
Premise 2: Socrates is a human.
- Conclusion: Socrates is mortal.
Induction is the process of reasoning in which the
particular premises
of an argument are believed to support a conclusion of a general
nature but do not
ensure it (e.g. the specific proposition 'this ice is cold' is used
to infer that 'all ice is cold'). Even in the best, or
strongest, cases of inductive reasoning, the truth of the premises
does not guarantee the truth of the conclusion. Instead, the
conclusion of an inductive argument follows with some degree of
probability. In addition, the conclusion of an inductive
argument contains more information than is already contained in the
premises. Thus, this method of reasoning is ampliative.
For example,
-
Premise: The sun has risen in the east every
morning up until now.
Conclusion: The sun will also rise in the
east tomorrow.
Abduction (or inference to the best
explanation) is a method of reasoning, employed in the sciences
especially, in which one chooses which hypothesis would, if
true, best explain the relevant evidence. It is the reasoning
process that starts from a set of observed facts and derives
their most likely explanations. What separates abduction
from the other forms of reasoning is an attempt to favor one
conclusion above others, by attempting to falsify alternative
explanations or by demonstrating the likelihood of the favored
conclusion, given a set of more or less disputable assumptions.
Though it often involves both inductive and deductive arguments,
because the conclusion in an abductive argument does not follow with
certainty from its premises it is best thought of as a form of
inductive reasoning.
Argument by analogy, also a form
of inductive reasoning, is
an inference from one particular to another particular. It
normally takes the following form:
- A has characteristics x, y, and z
- B has characteristics x and y
- So, B has (or probably has) characteristic z
Reasoning by analogy goes from one particular
thing, or category, to another particular thing, or
category. As with other forms of inductive
argument, even the best reasoning in an argument
from analogy can only make the conclusion probable,
given the truth of the premises, not certain.
Dialectic (from the
Greek διαλεκτική) is an exchange of
propositions
(theses) and counter-propositions (antitheses) resulting
in a synthesis of the opposing assertions, or at least a
qualitative transformation in the direction of the
dialogue.
Critical thinking
refers to the general process of analyzing or evaluating
information, particularly statements or propositions that people
have offered as true, by reflecting on the meaning of
statements, studying the process of reasoning, examining the
offered evidence, and evaluating the judgments proposed in this
way.
SOME QUOTES
- [Man] knows that there are in the soul tints more bewildering, more
numberless, and more nameless than the colours of an autumn forest. . .
. Yet he seriously believes that these things can every one of
them, in all their tones and semitones, in all their blends and unions,
be accurately represented by an arbitrary system of grunts and squeals.
He believes that an ordinary civilized stockbroker can really produce
out of his own inside noises which denote all the mysteries of memory
and all the agonies of desire. (G. K. Chesterton)
-
When you take a word in your mouth, you must realize that you have not
taken a tool that can be thrown aside if it will not do the job, but you
are fixed in a direction of thought which comes from afar and stretches
beyond you. (Hans-Georg Gadamer)
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