History                                   Regions                                      Topics


 

COGNITIVE CRITICISM


ASSOCIATIONS

CONFERENCES

2009:

2008:

2007:

2006:

  • Mind, Art and Beauty, University of Leeds, August 24-25

2005:

2004:

2003:

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2002:

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2001:

  •  

2000:

  •  

Annual:

  •  

COURSES

JOURNALS

PERSONS

SOURCES: PRIMARY

Book Series:

Off-Line:

  • Anthologies:

    • Fireman, Gary D., Ted E. McVay, and Owen J. Flanagan, eds.  Narrative and Consciousness: Literature, Psychology and the Brain.  Oxford: OUP, 2003.
    • Gavins, Joanna, and Gerard Steen, eds.  Cognitive Poetics in Practice.  London: Routledge, 2003.
    • Herman, David, ed.  Narrative Theory and the Cognitive Sciences.  Center for the Study of Language and Information, 2003.
    • Martindale, Colin, et al., eds.  Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts.  New York: , 2007.
    • Semino, Elena, and Jonathan Culpepper, eds.  Cognitive Stylistics.  Amsterdam: John Benjamins, 2002.
    • Steen, Francis, and Alan Richardson, eds.  Special Issue on Literature and the Cognitive RevolutionPoetics Today 23.1 (2002).
  • Selected Individual Works:

    • Bourbon, Brett.  Finding a Replacement for the Soul: Mind and Meaning in Literature and Philosophy.  Cambridge, MA: Harvard UP, 2004.

    • Easterlin, Nancy. 

    • Hart, F. Elizabeth. 

    • Hobbs, Jerry.  Literature and Cognition.  Stanford: Center for the Study of Language and Information, 1990.

    • Holloway, John.  The Slumber of Apollo: Reflections on Recent Art, Literature, Language and the Individual Consciousness.  Cambridge: CUP, 1983. 

    • Jackson, Tony.  "Questioning Interdisciplinarity: Cognitive Science, Evolutionary Psychology, and Literary Criticism."  Poetics Today 21 (2000): 319-47.

    • Lodge, David.  Consciousness and the Novel.  Cambridge: Harvard UP, 2002.

    • Miall, David.  "Anticipation and Feeling in Literary Response: a Neuropsychological Perspective."  Poetics 22 (1995): 275-98.

    • Miall, David, and Don Kuiken.  "Foregrounding: Defamiliarization, and Affect: Response to Literary Stories."  Poetics 22 (1994): 389-407.

    • Richardson, Alan, and Mary Thomas Crane.  "Literary Studies and Cognitive Science: Toward a New Interdisciplinarity."  Mosaic 32.2 (1999): 123-140.

    • Robinson, Jenefer.  Deeper than Reason: Emotion and its Role in Literature, Music, and Art.  Oxford: OUP, 2005.

    • Rubin, David C.  Memory in Oral Traditions: the Cognitive Psychology of Epic, Ballads, and Counting-out Rhymes.  Oxford: OUP, 1995.

    • Schank, Roger C.  Tell Me a Story: Narrative and Intelligence.  Evanston: Northwestern UP, 1995.

    • Spolsky, Ellen.  Gaps in Nature: Literary Interpretation and the Modular Mind.  Albany: SUNY Press, 1993.

    • Tabbi, Joseph T.  

    • Tsur, Reuven.  Toward a Theory of Cognitive Poetics.  Amsterdam: Elsevier, 1992.

    • Wright, Terrence.  "Reader-Response under Review: an Art, a Game, or a Science?"  Style 29 (1995): 529-48.

    • Zunshine, Lisa.  Why We Read Fiction: Theory of the Mind and the Novel.  Athens: Ohio State UP, 2006.

On-Line:

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    •  

  • Selected Individual Works:

    • Stockwell, Peter.  Cognitive Poetics: an Introduction.  London: Routledge, 2002.

On-Line:

UNIVERSITY PROGRAMMES / RESEARCH CENTRES / RESEARCH PROJECTS

Europe:

  • UK:

    • University of Wales, Aberystwyth: Department of Theatre, Film and Television Studies: MA in Theatre and Consciousness

USA:

WWW GATEWAYS

 

PHILWEB was last updated: October 15, 2009

PHILWEB is edited by Richard L. W. Clarke

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