PHILWEB BIBLIOGRAPHICAL ARCHIVE

THEORETICAL RESOURCES OFF- AND ON-LINE

CONTENTS


 

CHRISTIAN METZ (1931 - 1993)

SOURCES: PRIMARY

Off-Line:

  • Anthologies:

    • Essais sémiotiques, 1966-1975.  Paris: Klincksieck, 1977.

    • Essais sur la signification au cinéma.  Paris: Klincksieck.

      • Essais, 1968-1972.  Vol. 2.  1972.

        • The Language of Film.  New York: Praeger, 1972.

      • Essais, 1964-1968.  Vol. 1.  1968.

        • Film Language: a Semiotics of the Cinema.  Trans. Michael Taylor.  Oxford: OUP, 1974.  Rpt. Chicago: U of Chicago P, 1991.

  • Edited Works:

  • Selected Individual Works:

    • L’Enonciation impersonnelle ou le site du film.  Paris: Méridiens Klincksieck, 1991.

    • "Photography and Fetish."  October 34 (1985): 81-90.

    • "Third Degree Cinema?"  Wide Angle 7:1-2 (1985): 30-32.

    • "The Perceived and the Named."  Studies in Visual Communication 6.3 (1980): 56-68.

    • Le Signifiant imaginaire: Psychanalyse et cinéma.  Paris: Union Générale d'Éditions, 1977.

      • The Imaginary Signifier: Psychoanalysis and the Cinema.  Trans. Celia Britton, Annwyl Williams, Ben Brewster, and Alfred Guzzetti.  Bloomington: Indiana UP, 1982.  Rpt. 1986.

    • 1975.

      • "Aural Objects."  Film Sound.  Ed. Elizabeth Weiss and John Belton.  New York: Columbia UP, 1985. 154-161.

    • Langage et cinéma.  Paris: Larousse, 1971.

      • Language and Cinema.  Trans. Donna Jean Umiker-Sebeok.  The Hague: Mouton, 1974.

    • 1971.

      • "On the Notion of Cinematographic Language."  Movies and Methods.  Vol. 1.  Ed. Bill Nichols.  Berkeley: U of California P, 1976.  582-589.

    • "Le Dire et le dit au cinéma: vers le Déclin d'un vraisemblable?"  Communications 11 (1968): .

      • "The Saying and the Said: Towards the Decline of Plausibility in Cinema?"  Film Language: a Semiotics of the Cinema.  Trans. Michael Taylor.  Oxford: OUP, 1974.  Rpt. Chicago: U of Chicago P, 1991.  235-252.

    • "Propositions méthodologiques pour l'analyse du film."  Information sur les Sciences Sociales 7.4 (1968): .

    • "Problèmes actuels de théorie du cinéma."  Revue d'esthétique 20 (1967) 2-3. 

      • "Current Problems of Film Theory: On Jean Mitry's L'Esthétique et Psychologie du cinéma, Vol. IIScreen Reader 2: Cinema and Semiotics.  London: Society for Education in Film and Televsion, 1981.  40-87.

    • "Problemi di denotazione nel film di finzione."  Cinema e film 2 (1967): .

      • "Problems of Denotation in the Fiction Film."  Film Language: a Semiotics of the Cinema.  Trans. Michael Taylor.  Oxford: OUP, 1974.  Rpt. Chicago: U of Chicago P, 1991.  108-146.

    • 1966.

      • "Notes Toward a Phenomenology of Narrative."  Film Language: a Semiotics of the Cinema.  Trans. Michael Taylor.  Oxford: OUP, 1974.  Rpt. Chicago: U of Chicago P, 1991.  16-28.

    • 1966.

      • "Some Points in the Semiotics of Cinema."  Film Language: a Semiotics of the Cinema.  Trans. Michael Taylor.  Oxford: OUP, 1974.  Rpt. Chicago: U of Chicago P, 1991.  92-107.

    • 1965.

      • "On the Impression of Reality in the Cinema."  Film Language: a Semiotics of the Cinema.  Trans. Michael Taylor.  Oxford: OUP, 1974.  Rpt. Chicago: U of Chicago P, 1991.  3-15.

    • "Le Cinéma: Langue or langage?"  Communications (1964): .

      • "Cinema: Language or Language System?"  Film Language: a Semiotics of the Cinema.  Trans. Michael Taylor.  Oxford: OUP, 1974.  Rpt. Chicago: U of Chicago P, 1991.  31-91.

On-Line:

  • Archives:

    •  

  • Selected Individual Works:

    •  

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    • "Christian Metz and Film Theory."  Special issue of iris 10 (April 1990).

    • Cinema Semiotics and the Work of Christian Metz.  Special issue of Screen 14:1-2 (1973).

    • Marie, Michel, and Marc Vernet, eds.  Christian Metz et la théorie du cinéma.  Paris: Klincksieck, 1990.

  • Selected Individual Works:

    • Heath, Stephen.  “The Work of Christian Metz.”  Screen 14.3 (): .

    • Heath, Stephen.  “Film / Cinetext / Text.”  Screen 14.2 (): .

On-Line:

 

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