CONTENTS


HISTORY

ANCIENT (CLASSICAL):
   Epicureanism
   Neoplatonism
   Pre-Socratics
   Pyrrhonian Skepticism
   Sophists
   Stoicism
      Literature & Literary Theory

MEDIEVAL (c.350-c.1400):
   Literature & Literary Theory


EARLY MODERN:
   Renaissance (c.1400-c.1600):
      Literature & Literary Theory

   17th & 18th Century (c.1600-c.1785):
      Literature & Literary Theory

19th CENTURY (c.1785-c.1890):
   Romanticisms & Neo-Romanticisms:
      German & Anglo-American Idealism
      Existentialism
         Literature & Literary Theory
   'Victorian' Positivism:
         Literature & Literary Theory

20th CENTURY:
   Analytic Philosophy:
      Logical Atomism
      Logical Positivism
      Ordinary Language
      Recent

         Aesthetics
   Anglo-American Modernisms:
      'High' Modernism
      Liberal Humanism
      Myth Criticism
      Neo-Aristotelianism
      New Criticism
   Continental Philosophy:
      Idealism:
            Literary Theory

      Marxism:
         Frankfurt School
            Literary Theory
      Phenomenology:
         Existentialism
         Hermeneutics
            Literary Theory

      Psychoanalysis:
         Literary Theory

            Object-Relations Theory
            Jungian Analytical Psychology:
               Literary Theory
      (Post-)Structuralisms:
         Deconstruction:
            Literary Theory

         Deleuzean Theory:
            Literary Theory

         Dialogism (Bakhtin Circle):
            Literary Theory

         Foucauldian Theory:
            Literary Theory

         Semiotics / Structuralism:
            Literary Theory:
               Russian Formalism

         Structuralist Marxism:
            Literary Theory

         Structuralist Psychoanalysis:
            Literary Theory

   Pragmatism:
      Literary Theory


REGIONS

AFRICA AND AFRICAN DIASPORA:
   Literature & Literary Theory

ASIA:
      Central Asia
      East Asia (Chinese):
         Literature & Literary Theory
      South Asia (Indian):
         Literature & Literary Theory
      South-East Asia


AUSTRALASIA:
   Literature & Literary Theory

CANADA:
   Literature & Literary Theory

CARIBBEAN:
   Literature & Literary Theory

EUROPE
:
      Central Europe
      Eastern Europe:
         Russia:
            Literature & Literary Theory

      Northern Europe (Scandinavia):
         Literature & Literary Theory

      Southern Europe:
         Greece
            Literature & Literary Theory

         Italy
            Literature & Literary Theory

         Spain
            Literature & Literary Theory

      Western Europe:
         Eire
            Literature & Literary Theory
         France
            Literature & Literary Theory
         Germany
            Literature & Literary Theory
         UK:
            Scotland
            Wales
               Literature & Literary Theory

LATIN AMERICA:
   Literature & Literary Theory

MIDDLE EAST:
   Arabic/Islamic Thought:
      Literature & Literary Theory
   Israeli/Jewish Thought:
      Literature & Literary Theory

USA
:
   Literature & Literary Theory
   African American:
      Literature & Literary Theory
   Native American:
      Literature & Literary Theory


TOPICS

 

ARTS:
   Architecture
   Arts (Performing)
   Arts (Visual and Plastic)
   Film
   Literature:
      Audience
      Author
      Literary Form & Genre:
         Drama
         Poetry
         Prose
      Literary Historicism
      Lit. History, Intertextuality, Canonicity
      Metaliterature
      Literary Representation (Realism)

   Music
 

BEING


COMMUNICATION:
   Interpretation
   Language
        Linguistic Criticism/Literary Stylistics

   Reasoning: Logic, Rhetoric, Argument
 

EDUCATION

 

GEOGRAPHY & THE ENVIRONMENT:
   Ecocriticism

 

HUMAN BEING:
   Body:

      Gender (Feminist Theory)
      Race (Critical Race Theory)

      Sexuality (Queer Theory):

         Queer Critical Theory

   Mind:
     
Cognitive & Psychological Criticism

   Self:
      Writing the Self

 

KNOWLEDGE

METAPHILOSOPHY / METATHEORY
 

MORALITY:

   Ethical Criticism
 

RELIGION:
   Religion and Literature


NATURAL SCIENCES & TECHNOLOGY:
   Biology & Medical Sciences:

      Darwinist (Evolutionary) Criticism
   Chemistry

   Information Technology
   Mathematics
   
Physics

SOCIAL FORMATION
:

   Culture
   Economics
  
History
   Law

   Politics
   Society
 

SPORTS
 


GENERAL

ASSOCIATIONS
CAREERS
CONFERENCES
JOURNALS
PHOTOS
PRIMARY SOURCES
SECONDARY SOURCES

TEACHING AND LEARNING
WWW GATEWAYS

 


ALTERNATIVE STANDPOINTS

Feminist Theory:
   Aesthetics/ Critical Theory

Post-colonial Theory:
   Aesthetics / Critical Theory
 

 

MYTH CRITICISM
(CAMBRIDGE RITUALISTS / MYTHOPOEISIS)

Mythology, from the Greek muthos (story, legend) and logos (account , speech) is any body or cycle of myths – a narrative, oral tradition, or a popular belief or assumption, based on the legendary heroes of a culture.  Mythology sometimes involves supernatural events or characters to explain the nature of the universe and humanity.  Mythology is also branch of knowledge dealing with the collection, study and interpretation of myths or fables. 

Mythography refers to the composing and writing of myths in literature and the arts.

Myth Criticism refers to the use of a mythological-oriented approach in the study of literature and the arts.


SUB-PAGES

Philosophers / Theorists:

Related Pages:


ASSOCIATIONS

CONFERENCES

2007:

  • Faith, Myth and Literary Creation since 1850, Lille Catholic University, Lille, France May 18-19
  • Anglo-German Mythologies in Literature, the Visual Arts and Cultural Theory, Centre for Anglo-German Cultural Relations, Queen Mary, University of London, April 25-27

2006:

2005:

  • Consequentiality: Mythology, Theology, Ontology, Sydney, July 11-13

2004:

2003:

  •  

2002:

  •  

2001:

  •  

2000:

  •  

COURSES

JOURNALS

SOURCES: PRIMARY

Off-Line:

  • Anthologies:

    • Miranda, Pierre, ed.  Mythology: Selected Readings.  Harmondsworth: Penguin, 1972.

    • Rehnolds, Frank, and David Tracy, eds.  Myth and Philosophy.  Albany: SUNY Press, 1990.

    • Vickery, John, ed.  Myth and Literature: Contemporary Theory and Practice.  Lincoln: U of Nebraska P, 1966.

  • Selected Individual Works:

    • Barber, C. L.  Shakespeare's Festive Comedy: a Study of Dramatic Form and its Relation to Social Custom.  1959.

    • Booker, Christopher.  The Seven Basic Plots: Why We Tell Stories.  London: Continuum, 2005.

    • Burkert, Walter.  Structure and History in Greek Mythology and Ritual.  Berkeley: U of California P, 1979.

    • Bush, Douglas.  Mythology and the Romantic Tradition in English Poetry.  1937.

    • Cook, Arthur B.  Zeus: A Study in Ancient Religion.  3 vols.  1914-40.

    • Coupe, LaurenceMyth.  London: Routledge, 1997.

    • Csapo, Eric.  Theories of Mythology.  2005.

    • Doty, William G.  Mythography: the Study of Myths and Rituals.  1986.

    • Evans-Pritchard, Edward.  Theories of Primitive Religion.  1965.

    • Feldman, B., and R. D. Richardson.  The Rise of Modern Mythology, 1680-1860.  London: , 1975.

    • Fontenrose, Joseph.  The Ritual Theory of Myth.  1966.

    • Hyman, Stanley Edgar.  "The Ritual View of Myth and the Mythic."  Myth and Literature: Contemporary Theory and Practice.  Ed. John Vickery.  Lincoln: U of Nebraska P, 1966.

    • Kirk, G. S.  Myth: its Meaning and Functions in Ancient and Other Cultures.  Cambridge: CUP, 1970.

    • Knight, G. Wilson.  The Wheel of Fire.  1930.

    • McCaffrey, Isabel.  Paradise Lost as 'Myth'.  1959.

    • Segal, Robert  A.  "The Myth-Ritualist Theory of Religion."  Journal for the Scientific Study of Religion 19 (1980): .

    • Thomson, George.  Aeschylus and Athens: a Study in the Social Origins of Drama.  1941.

    • Versnel, H. S.  "What's Sauce for the Goose is Sauce for the Gander: Myth and Ritual, Old and New."  Approaches to Greek Mythology.  Ed. Lowell Edmunds.  1989.

    • Weston, Jessie L.  From Ritual to Romance.  1920.

On-Line:

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    • Calder, William M., ed.  The Cambridge Ritualists Reconsidered.  Atlanta: Scholar's Press, 1991.

    • McCune, Marjorie, Tucker Orbison, and Philip Withim, eds.  The Blinding of Proteus: Perspectives on Myth and the Literary Process.  Lewisburg, PA: Bucknell UP, 1980.

  • Selected Individual Works:

    • Ackerman, Robert.  The Myth and Ritual School: J. G. Frazer and the Cambridge Ritualists.  New York: Garland, 1991.

    • Ackerman, Robert.  “Fortunes Of Cambridge: Myth And Ritual In Anglo-American Criticism.”  Social Science Information 15 (1976): 6: 919-28.

    • Arlen, Shelley.  The Cambridge Ritualists: An Annotated Bibliography of the Works by and About Jane Ellen Harrison, Gilbert Murray, Francis M. Cornford, and Arthur Bernard CookMetuchen, NJ: Scarecrow Press, 1990.

    • Brooker, Christopher.  The Seven Basic Plots: Why We Tell Stories.  London: Continuum, 2005.

    • Falck, Colin.  Myth, Truth and Literature.  1989.

    • Gould, Eric.  Mythical Intentions in Modern Literature.  1981.

    • Harland, Richard.  "Myth Criticism and Northrop Frye."  Literary Theory from Plato to Barthes.  London: Palgrave Macmillan, 1999.  194-199.

    • Leitch, Vincent B.  "Myth Criticism."  American Literary Criticism from the 30s to the 80s.  New York: Columbia UP, 1988.  115-147.

    • Manganaro, Marc.  Myth, Rhetoric, and the Voice of Authority: a Critique of Frazer, Eliot, Frye, and Campbell.  1992.

    • Nash, Christopher.  "Myth and Modern Literature."  The Context of English Literature, 1900-1930.  Ed. Michael Bell.  London: Methuen, 1980.  160-185.

    • Vickery, John.  Robert Graves and the White Goddess.  Lincoln: U of Nebraska P, 1972.

On-Line:

UNIVERSITY PROGRAMMES / RESEARCH CENTRES / RESEARCH PROJECTS

USA:

WWW GATEWAYS

QUOTES

  • "Mythological representations have been neither invented nor freely accepted. The products of a process independent of thought and will, they were, for the consciousness which underwent them, of an irrefutable and incontestable reality. Peoples and individuals are only the instruments of this process, which goes beyond their horizon and which they serve without understanding."  (F. W. J. Schelling Introduction to Philosophy and Mythology)
 


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