PHILWEB BIBLIOGRAPHICAL ARCHIVE

THEORETICAL RESOURCES OFF- AND ON-LINE

CONTENTS


 

KOBENA MERCER (1960 - )

SOURCES: PRIMARY

Off-Line:

  • Anthologies:

    • Welcome to the Jungle: New Positions in Black Cultural Studies.  London: Routledge, 1994.

  • Edited Works:

    • Cosmopolitan Modernisms.  Cambridge: MIT Press, 2005.

    • Black Film, British Cinema.  ICA Documents No. 7.  London: Institute of Contemporary Arts,1988.

    • Last Special Issue on 'Race'.  Ed. Mercer and Isaac Julien.  Screen 29.4 (1988)

  • Selected Individual Works:

    • James VanDerZee.  London: Phaidon, 2003.

    • Isaac Julien.  London: Ellipsis / Film and Video Umbrella, 2001.

    • "A Sociography of Diaspora."  Without Guarantees: in Honour of Stuart Hall.  Ed. Paul Gilroy, Lawrence Grossberg, and Angela McRobbie.  London: Verso, 2000.  233-244.

    • "Ethnicity and Internationality: New British Art and Diaspora-based Blackness."  Third Text 49 (1999-2000): .

    • "Decolonisation and Disappointment: Reading Fanon's Sexual Politics."  The Fact of Blackness: Frantz Fanon and Visual Representation.  Ed. Alan Read.  Seattle: Bay Press, 1996.  114-131.

    • "Busy in the Ruins of a Wretched Phantasia."  Mirage: Enigmas of Race, Difference and Desire.  Ed. Ragnar Farr.  London: Institute of Contemporary Arts, 1995.  15-53.

    • "Fear of a Black Penis.Artforum 32 (1994): .

    • "Reading Racial Fetishism: the Photographs of Robert Mapplethorpe."  Fetishism as Cultural Discourse.  Ed. Emily Apter and William Pietz.  Ithaca: Cornell UP, 1993 .

    • "'1968': Periodising Politics and Identity."  Cultural Studies.  Ed. Lawrence Grossberg, Cary Nelson, and Paula A. Treichler.  London: Routledge, 1992.  424-438.

    • "Back to My Routes: a Postcript to the 80s."  Ten-8 2.3 (1992): .  

    • "Skin Head Sex Thing: Racial Difference and the Homoerotic Imaginary."  How Do I Look?: Queer Film and Video.  Seattle: Bay, 1991. 

      • New Formations 16 (1992): .

    • "Dark and Lovely: Notes on Black Gay Image-making."  Ten-8 2.1 (1991 ): .

    • "Black Art and the Burden of Representation."  Third Text 10 (1990): . 

      • Welcome to the Jungle: New Positions in Black Cultural Studies.  London: Routledge, 1994.  233-258.

    • "Welcome to the Jungle: Identity and Diversity in Postmodern Politics."  Identity: Culture, Community, Difference.  Ed. Jonathan Rutherford.  London: Lawrence and Wishart, 1990. 

      • Welcome to the Jungle: New Positions in Black Cultural Studies.  London: Routledge, 1994.  259-285.

    • "Diaspora Culture and the Dialogic Imagination: the Aesthetics of Black Independent Film in Britain."  Blackframes: Critical Perspectives on Black Independent Cinema.  Ed. Mbye Cham and Claire Watkins.  Cambridge: MIT Press, 1988. 

      • Welcome to the Jungle: New Positions in Black Cultural Studies.  London: Routledge, 1994.  53-66.

    • "Introduction: De Margin and de Centre."  By Mercer and Isaac Julien.  "Last Special Issue on 'Race.'"  Ed. Mercer and Isaac Julien.  Screen 29.4 (1988): 2-10. 

      • Stuart Hall: Critical Dialogues in Cultural Studies.  Ed. David Morley and Kuan-Hsing Chen.  London: Routledge, 1996.  450-464.

    • "Race, Sexual Politics and Black Masculinity: a Dossier."  By Mercer and Isaac Julien.  Male Order: Unwrapping Masculinity.  London: Lawrence and Wishart, 1988.

    • "Sexual Identities: Questions of Difference."  Introduction.  Undercut 17 (1988   ): .

    • "Black Hair / Style Politics."  New Formations 3 (1987): . 

      • Welcome to the Jungle: New Positions in Black Cultural Studies.  London: Routledge, 1994.  97-130.

    • "Reflections on Third Cinema at Edinburgh."  Screen 26.4 (1986): .

    • "True Confessions: a Discourse on Images of Black Male Sexuality."  By Mercer and Isaac Julien.  Ten-8 22 (1986): .  

      • Identity and Diversity: Gender and the Experience of Education: a Reader.  Clevedon; Philadelphia: Multilingual Matters, with the Open University, 1995.

      • Black Male :Representations of Masculinity in Contemporary American Art.  Ed. Thelma Golden.  New York: Whitney Museum of American Art, 1994. 

  • Selected Interviews:

    • "Talking Hybridity."  Interview with Mark Sealy.  Creative Camera 32 (1995): .

    • "Travelling Theory: the Cultural Politics of Race and Representation."  Afterimage 18.2 (1990 ): .

On-Line:

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    •  

  • Selected Individual Works:

    •  

On-Line:

WWW RESOURCES

 

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May 18, 2017

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Richard L. W. Clarke

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